Coat of Arms & Family Crest Details
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'arg. au lion naiss. d'or, lamp. de gu., acc. de trois fleurs-de-lis du sec.”
A record of documented arms, meaning and origin, researched for the Anzola family of Italy.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'arg. au lion naiss. d'or, lamp. de gu., acc. de trois fleurs-de-lis du sec.”
The Anzola arms were recorded in Italy, c. 1775.
Arms such as these were typically recorded in Venice.
Venice ran on trade, and its great families were merchants before they were anything else. The city kept a formal list of its noble houses, and a name on that list carried arms as a matter of record.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In the Italian states, coats of arms were often used by noble families to show their status and history. These symbols were passed down through the generations to all legitimate male descendants. Younger branches of a family usually kept the original design but sometimes added small changes to distinguish their specific line from the main branch.
The Anzola family name is deeply rooted in the historical landscape of Northern Italy, with documented records confirming their presence in Venice by the year 1775. The name is widely considered a geographic surname, likely derived from the town of Anzola dell'Emilia located near Bologna. During the eighteenth century, Venice served as a major hub for trade and cultural exchange, which allowed families like the Anzolas to establish themselves within the city's complex social and economic structures. Members of the family were often involved in the professional and mercantile activities that defined Venetian life during the late Republic era. As they moved through the region, the family maintained strong ties to their northern Italian heritage while adapting to the unique maritime culture of the Venetian lagoon. This transition from regional origins to urban residency reflects the broader patterns of migration and family development that shaped the Italian peninsula during the late Enlightenment period.
Derived from the Greek word angelos meaning messenger or divine messenger.
