Coat of Arms & Family Crest Details
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'azur à un arbre terrassé de sin., acc. de trois étoiles (5) d'or, rangées en chef.”
A record of documented arms, meaning and origin, researched for the Ara family of Italy.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'azur à un arbre terrassé de sin., acc. de trois étoiles (5) d'or, rangées en chef.”
The Ara arms were recorded in Italy, c. 1775.
Arms such as these were typically recorded in Venice.
Venice ran on trade, and its great families were merchants before they were anything else. The city kept a formal list of its noble houses, and a name on that list carried arms as a matter of record.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In the Italian states, coats of arms were often used by noble families to show their status and history. These symbols were passed down through the generations to all legitimate male descendants. Younger branches of a family usually kept the original design but sometimes added small changes to distinguish their specific line from the main branch.
The history of the Ara family is deeply connected to the vibrant social and commercial life of Venice during the late eighteenth century. By 1775, records confirm that members of the family were established residents of this influential maritime city, which served as a major crossroads for trade and culture between Europe and the East. The name Ara is often associated with regions around the Mediterranean, and its presence in Venice suggests that the family may have been involved in the city’s extensive merchant networks or its specialized artisan guilds. During this period, Venice was a hub for families who moved across borders to build businesses and contribute to the city’s unique administrative and economic landscape. As residents of a city defined by its canals and international connections, the early Ara family members likely navigated a society that valued both tradition and the constant exchange of new ideas.
Latin term referring to a sacred altar or place of sacrifice.
