Coat of Arms & Family Crest Details
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'azur à trois clous d'arg., dont un posé en pal et deux br. en saut., les têtes en haut.”
A record of documented arms, meaning and origin, researched for the Bartek family of Italy.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'azur à trois clous d'arg., dont un posé en pal et deux br. en saut., les têtes en haut.”

The Bartek arms were recorded in Italy, c. 1775.
Arms such as these were typically recorded in Venice.
Venice ran on trade, and its great families were merchants before they were anything else. The city kept a formal list of its noble houses, and a name on that list carried arms as a matter of record.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In the Italian states, coats of arms were often used by noble families to show their status and history. These symbols were passed down through the generations to all legitimate male descendants. Younger branches of a family usually kept the original design but sometimes added small changes to distinguish their specific line from the main branch.
The name Bartek is a diminutive form of the name Bartholomew, which has deep roots in Central and Eastern Europe. While the name is traditionally associated with Slavic regions, the presence of the family in Venice by 1775 suggests a history defined by movement and trade. During the late 18th century, Venice served as a vital crossroads for merchants and travelers moving between the Adriatic coast and the broader European continent. Families like the Barteks likely settled in this bustling port city to participate in the thriving maritime economy or to engage in the specialized crafts that defined Venetian life at the time. This migration pattern reflects a broader trend of families seeking new opportunities in major urban centers, where they could integrate their traditional naming customs with the cosmopolitan culture of the Venetian Republic.
Aramaic name meaning son of Talmai or son of the furrow.
