Coat of Arms & Family Crest Details
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“De gu. à un cerf d'arg.”
A record of documented arms, meaning and origin, researched for the Glazer family lines. Documented in 2 countries.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“De gu. à un cerf d'arg.”
The Glazer arms were recorded in Germany, c. 1765.
Arms such as these were typically recorded in Bavaria.
Bavaria was a country of old landed families and walled market towns. Estates passed down the same line for centuries, and both the landowners and the leading townsmen kept arms, which is why so many Bavarian names sit in the registers.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In the Holy Roman Empire, coats of arms were often granted to individuals by the Emperor or his representatives. These arms were then passed down through the generations to all legitimate descendants of the original holder. Younger branches of a family usually kept the same shield design without needing to change it, as the arms belonged to the entire lineage.
The surname Glazer is an occupational name that originated in the German-speaking regions of Europe. It comes from the Middle High German word "glas," which refers to the trade of a glassmaker or a glazier. In the eighteenth century, families with this name were often part of the skilled artisan class that played a vital role in local economies. By 1765, records confirm that members of the Glazer family were established in Bavaria. During this period, Bavaria was a center for traditional craftsmanship and trade guilds. Families like the Glazers often lived in small towns or rural areas where they provided essential services to their neighbors. Their presence in the region highlights how surnames were frequently chosen to reflect a person's specific craft or daily labor within their community.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“De gu. à trois feuilles de tilleul mal-ordonnées, mouv. d'une même tige posée sur un tertre, le tout de sin. C.: un homme iss., hab. de gu., rebr. d'arg., au rabat du même, la main sen. appuyée sur sa hanche et tenant de sa dextre un verre à vin, rempli de vin. L. de sin. et de gu.”
The Glazer arms were recorded in Bâle, c. 1745.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In Switzerland, coats of arms were not restricted to the nobility and were often adopted by common citizens and families. These symbols were passed down through generations to show family identity. When branches of a family grew, they often changed small details of the design to distinguish their own line from the original group.
The surname Glazer is rooted in the professional traditions of medieval and early modern Europe, where it functioned as an occupational descriptor for those who worked with glass. By the mid-eighteenth century, the family had established a notable presence in the city of Bâle, Switzerland, where records confirm their residence by 1745. During this period, Bâle served as a vital hub for trade and craftsmanship, providing an environment where skilled artisans could thrive within the city’s guild system. Members of the Glazer family likely contributed to the local economy through their specialized labor, which was highly valued in a growing urban center that required constant maintenance and architectural refinement. As the family integrated into the social fabric of the region, they became part of the long-standing Swiss tradition of professional specialization that defined many surnames of that era. Their presence in Bâle reflects the broader movement of skilled workers who helped shape the industrial and cultural identity of Swiss cities during the Enlightenment.
A hard, brittle, transparent substance made by fusing sand with soda.

