Coat of Arms & Family Crest Details
Sir Bernard Burke, The General Armory of England, Scotland, Ireland and Wales, London: Harrison & Sons, 1884
Blazon (the actual original written record)“Ar. a saltire sa. on a chief gu. three cushions or”
A record of documented arms, meaning and origin, researched for the Johansson family lines. Documented in 3 countries.
Sir Bernard Burke, The General Armory of England, Scotland, Ireland and Wales, London: Harrison & Sons, 1884
Blazon (the actual original written record)“Ar. a saltire sa. on a chief gu. three cushions or”

The Johansson arms were recorded in Lancaster, c. 1545.
Lancashire was divided among a great many small landed families, more than most northern counties. Estates were passed down whole rather than split up, so the same names hold the same ground for centuries in the records.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
English heraldry allowed arms to be shared by all legitimate descendants of the original owner. These symbols were treated as personal property that moved through the generations to all children. While the eldest son kept the original design, other family members could use the same shield without needing to change it or register their own unique versions.
The surname Johansson is traditionally rooted in Scandinavian naming customs, where it functions as a patronymic meaning "son of Johan." While the name is most common in Sweden, historical records confirm that individuals bearing this name were present in Lancaster, England, as early as 1545. During the sixteenth century, England saw an increase in trade and migration across the North Sea, which likely brought Northern European families to the bustling port towns of the northwest. These early settlers often integrated into local communities by working as merchants or skilled craftsmen. Over time, the spelling of the name sometimes shifted to match English phonetic patterns, yet the presence of the Johansson family in Lancaster highlights the long-standing connections between the British Isles and the Nordic regions during the Tudor period.
Sir Bernard Burke, The General Armory of England, Scotland, Ireland and Wales, London: Harrison & Sons, 1884
Blazon (the actual original written record)“Gu. on a chev. betw. three fleurs-de-lis ar. as many escallops of the field”

The Johansson arms were recorded in Ireland, c. 1645.
Arms such as these were typically recorded in Dublin.
Dublin was the seat of government in Ireland and the place where grants were sought and recorded. Families with business at the castle or the courts settled nearby, and settling there put their arms on record.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
The Ulster King of Arms granted coats of arms to individuals who proved their social standing and good character. These symbols were typically inherited by all legitimate descendants of the original holder. If a family branch wanted a unique look, they could apply for a specific change to their design through the office to ensure their identity remained distinct.
The name Johansson is fundamentally Scandinavian in origin, functioning as a patronymic that translates to "son of Johan." While the name is deeply rooted in Swedish and Nordic traditions, historical records confirm that members of the family were established in Dublin as early as 1645. During the seventeenth century, Dublin served as a bustling hub for international trade, attracting merchants and skilled laborers from across Northern Europe. The presence of the Johansson family in Ireland at this time suggests they were likely part of a small but influential network of continental settlers who moved to the city to participate in the growing maritime economy. These early settlers integrated into the local urban landscape, navigating the social and religious complexities of a changing Ireland while maintaining the linguistic heritage of their surname. Over time, the family name became a quiet but persistent thread in the city's history, representing the long-standing connections between the Baltic region and the Irish capital.
Sir Bernard Burke, The General Armory of England, Scotland, Ireland and Wales, London: Harrison & Sons, 1884
Blazon (the actual original written record)“Ar. a saltire sa. betw. an increscent and decrescent in the flanks az. and a palm branch in base vert, on a chief of the second three cushions of the first”

The Johansson arms were recorded in Edinburgh, c. 1748.
Edinburgh was the seat of Scotland's government, its courts and its heralds. Families with business there settled nearby, and being close to where arms were recorded is exactly why so many of them appear.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
Scottish heraldry is unique because it treats a coat of arms as a piece of personal property protected by law. Only one person can own a specific design at any given time. When a family grows, the head keeps the original shield while other relatives must apply for their own distinct version with slight changes to prove their specific identity.
The history of the Johansson name in Scotland is a fascinating example of how Scandinavian roots integrated into the local culture of the eighteenth century. While the name is distinctly Swedish in origin, meaning son of Johan, records confirm that members of the family were firmly established in Edinburgh by 1748. During this period, Edinburgh was a hub of international trade and intellectual exchange, which likely drew merchants and skilled workers from across the North Sea. These early settlers did not simply pass through the city but became part of the local community, navigating the social and economic life of the Scottish capital. By settling in such a prominent urban center, the family contributed to the diverse demographic tapestry of the Enlightenment era. Their presence highlights the long history of migration between the Nordic countries and Scotland, showing how individuals maintained their unique heritage while adapting to life in a new land.
Hebrew origin meaning God is gracious.


