Coat of Arms & Family Crest Details
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'azur à la bande ondée d'or. Cq. cour. C.: trois pl. d'aut., une d'or entre deux d'azur.”
A record of documented arms, meaning and origin, researched for the Marcell family of Italy.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'azur à la bande ondée d'or. Cq. cour. C.: trois pl. d'aut., une d'or entre deux d'azur.”

The Marcell arms were recorded in Venice, c. 1775.
Venice ran on trade, and its great families were merchants before they were anything else. The city kept a formal list of its noble houses, and a name on that list carried arms as a matter of record.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In the Italian states, coats of arms were often used by noble families to show their status and history. These symbols were passed down through the generations to all legitimate male descendants. Younger branches of a family usually kept the original design but sometimes added small changes to distinguish their specific line from the main branch.
The family name Marcell traces its roots to the vibrant cultural landscape of eighteenth-century Venice. By 1775, records indicate that family members were established residents of this influential maritime city, which served as a major crossroads for trade and intellectual exchange between Europe and the East. During this period, Venice was a center for craftsmanship and commerce, and families like the Marcell line often integrated into the city’s complex social structure through professional guilds or mercantile activities. As residents of a republic defined by its unique political independence and artistic legacy, these early family members lived in a society that valued both tradition and innovation. This environment likely shaped their daily lives as they navigated the bustling canals and public squares that defined the Venetian experience during the late Enlightenment.
Derived from the Roman god Mars, meaning dedicated to Mars.
