Coat of Arms & Family Crest Details
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'or à trois bandes de sin.”
A record of documented arms, meaning and origin, researched for the Marmor family of Italy.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“D'or à trois bandes de sin.”

The Marmor arms were recorded in Venice, c. 1775.
Venice ran on trade, and its great families were merchants before they were anything else. The city kept a formal list of its noble houses, and a name on that list carried arms as a matter of record.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In the Italian states, coats of arms were often used by noble families to show their status and history. These symbols were passed down through the generations to all legitimate male descendants. Younger branches of a family usually kept the original design but sometimes added small changes to distinguish their specific line from the main branch.
The surname Marmor is rooted in the Latin word for marble, which suggests that the family name may have originally described an ancestor who worked as a stonecutter or a sculptor. By the year 1775, records confirm that members of the Marmor family were established in the city of Venice. During this period, Venice served as a major center for trade and artistic craftsmanship, providing a vibrant environment for families involved in specialized labor. The name likely functioned as a professional identifier, linking the family to the prestigious tradition of working with fine materials in one of Europe’s most influential maritime republics. Over time, the name transitioned from a descriptive label for a trade into a permanent family identity that persisted as the family moved and grew across the region.
Latin word for marble or a glistening stone surface.
