Coat of Arms & Family Crest Details
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“De gu. à sept châteaux d'arg., 1, 2, 1, 2 et 1.”
A record of documented arms, meaning and origin, researched for the Mora family lines. Documented in 3 countries.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“De gu. à sept châteaux d'arg., 1, 2, 1, 2 et 1.”

The Mora arms were recorded in Portugal, c. 1706.
Arms such as these were typically recorded in Lisboa.
Lisbon was the seat of the Portuguese crown and the port its wealth came through. Families made rich by trade and by service to the king took arms, and the crown's heralds recorded them there.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In Portugal, a coat of arms was a family possession that passed from a father to his children. Every legitimate descendant had the right to use the family shield without needing to change it. Younger branches of the family kept the original design, though they sometimes added small symbols to distinguish their specific line from the main branch.
The surname Mora has deep roots in the Iberian Peninsula, where it often functioned as a topographic name for families living near a moor or a dark, wooded area. By the early 18th century, the family had established a clear presence in the bustling capital of Lisboa. During this era, the city was a major center for trade and colonial administration, placing the Mora family at the heart of the Portuguese Empire’s social and economic life. Records from 1706 indicate that members of the family were integrated into the urban fabric of the capital, likely participating in the merchant guilds or the administrative offices that defined life in the city after the restoration of the Portuguese throne. Their residency in Lisboa suggests a family that was well-positioned to navigate the complex social hierarchies of the time, moving through the city’s parishes and contributing to the growth of a nation that was then looking toward its vast overseas territories.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“Tiercé en fasce: au 1 d'or à l'aigle ép. de sa., chaque tête cour. du champ; au 2 d'arg. au lion léopardé de gu., tenant de sa patte dextre trois roses du même; au 3 bandé de gu. et d'arg.”

The Mora arms were recorded in Venice, c. 1775.
Venice ran on trade, and its great families were merchants before they were anything else. The city kept a formal list of its noble houses, and a name on that list carried arms as a matter of record.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In the Italian states, coats of arms were often used by noble families to show their status and history. These symbols were passed down through the generations to all legitimate male descendants. Younger branches of a family usually kept the original design but sometimes added small changes to distinguish their specific line from the main branch.
The name Mora has deep roots in the Italian peninsula, where it evolved as a descriptive term often linked to the physical appearance or the origin of early ancestors. In the context of Venice, where the family was documented as early as 1775, the name frequently appeared in records detailing the lives of merchants and artisans who helped define the city’s maritime economy. During this period, Venice served as a bustling crossroads for trade and cultural exchange, and families like the Mora were often integrated into the complex social fabric of the Venetian Republic. These early family members likely navigated the unique challenges of living in a city built on water, contributing to the local industries that sustained the region. By examining the historical presence of the name in Venetian archives, we gain a clearer picture of a family that was well-established in one of Europe’s most influential centers of commerce and art during the late eighteenth century.
J. B. Rietstap, Armorial Général, Gouda: G. B. van Goor Zonen, 1884–87
Blazon (the actual original written record)“Parti: au 1 d'azur à neuf fleurs-de-lis d'or, 1, 2, 1, 2, 1 et 2; au 2 éc.: a. et d. de gu. à la bande d'arg., ch. de trois panelles de sa., posées dans le sens de la bande, les tiges en haut; b. et c. d'or à un arbre arr. de sin.”

The Mora arms were recorded in Asturies, c. 1722.
This is where the arms were entered in the register. Families often moved to other parts of the country, so the same name can turn up in more than one region.
In Spain, a coat of arms was considered a form of property that belonged to the entire family line. These arms were passed down from a father to all his children equally. Younger branches of the family usually kept the original design without needing to add any special marks to distinguish their specific line.
The surname Mora is deeply rooted in the history of the Iberian Peninsula, originating from the Latin word *mora*, which refers to a blackberry or a delay. In the context of medieval Spain, the name often identified families living near mulberry trees or those who resided in towns named Mora, which were common throughout the regions of Toledo and Castile. By the early 18th century, the family had established a notable presence in the northern region of Asturias. During this period, Asturias served as a vital cultural and social landscape where families often held land or participated in local administration. The presence of the Mora family in Asturias by 1722 suggests they were part of the regional social fabric that helped shape the local economy and community life during the Bourbon restoration. These early ancestors likely navigated the transition from rural agricultural life to the more structured social hierarchies that defined Spanish provincial society in the 1700s.
Latin term referring to the mulberry tree.